Dear Friends of Imhotep Construction Company:
We are moving and so will not publish this blog for a week or so.
Best wishes and we'll see you soon,
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The Imhotep Construction Company is a compendium of art, writing and photographs By Tomasito (Thomas F. Wold) The project was started in 1973 and is the third and final of three projects: "Earthprobe" and "Big Flow's Cosmic Repair Works" are the other two titles completed and published in paper editions. TW 2008
SIX
Weeping Women: It is evening when I arrive at this disappointing border so I find a place to camp for the night beneath some huge rocks at the foot of the mountain near the fence.
I make my usual tiny cooking fire, prepare some tasty “hedge soup” from some roadside plants I have gathered, roll up in my blanket and settle down to sleep. A quiet hour or two passes but then I am awakened by the sound of a woman weeping nearby, apparently somewhere above me in the rocks.
It’s eerie, but stranger still, the crying and sobbing are soon joined by other wailing women’s voices. Uncanny. Frightening. I wonder if some local people have noticed me slip up into these rocks to spend the night and have chosen this bizarre way to scare me away. If so, they’re doing a pretty good job of it. It’s weird. It sounds like a dismal and noisy wake. The voices stop for a while; then the wailing begins again. It’s unnerving but I am so tired from riding my bike all day that I soon doze off and before I know it, the crying has stopped and dawn is breaking.
(The mystery of the crying women is solved sometime later when I mention this strange incident to my new Orthodox monk friends. They say that the sobbing was merely a few of the wild jackals which live in the stony crags of the peninsula serenading me.)
I peddle down to the dock where a small number of other Greek pilgrims, all male of course, are climbing into the passenger boats that will take them to their destinations--but no skipper will take me aboard without a Holy Mountain visa.
That’s the law. I must return to Thessaloniki and get the necessary document if I want to visit Holy Mountain.
Tomasito, 2009
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Chang Ch’ao, China, mid 17th century CE, Lin Yutang Translation
The Grass of Parnassus
The last time I saw this matched pair, Les and Muriel Bodine, was when I passed through Mineral on my way to Alaska and Russia in my camper in 1998. They let me park in their driveway overnight and use their bathroom as they had often done before.
Les mentioned to me that he had seen some “Grass of Parnassus” blooming beside the roadside tiny spring-fed waterfall outside of the village of Mill Creek and he asked me if I would dig up a bit of it and transplant it to the bank of the little stream in their yard. So I drove over the mountain to Mill Creek and found the pretty little plant being splashed by the waterfall just as he had described it. I dug up a few roots and transplanted them to the brook beside his house.
“Grass of Parnassus” is not really grass at all,” Les told me and showed me in his plant book that it reall was not a “true grass” botanically speaking, “but I like it anyway.”
Les and Muriel have gone on to their reward as they say—and I hope it is a big one, and I hope the bogus grass took root and is still blooming for someone on their side of the mountain.
Tomasito, 2009
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Bodine’s Bliss
When the Lassen Ski Lift opened, most of the little valley slopes between the top tower of the lift and the base became “ski runs”.
There were strict rules about cutting trees in the national park but several were cut so the skiers could have a safer slide.
But off to one side a small stand of little forest trees were left in their natural state.--very dense and very near each other. Adult skiers were not interested in skiing into this forest or through these small trees—but the little kids who used the lift were. The kids turned this miniature woods into a maze of little kid ski paths—none of them machine groomed, of course, and only used by kids.
Since I was the curious type and since this out of the way forest was usually quiet and peaceful I liked to hang out there too—it was most often empty of all humans since there were not a lot of little kids on the mountain at any time.
There were little birds back there flitting about and sometimes calling each other—that was usually the only sound.
The manager of the lift asked me to draw a ski map for the patrons of the Lassen Ski Lift Area which I happily did—I always like to exercise my artistic abilities—and, since I was the "official cartographer", I got to name some of the the different ski runs and special spots on the mountain when I labeled them for the map.
Since I had seen old Les Bodine back on these kids' ski paths once or twice and since he was the only other adult skier I had ever seen curious enough to explore them, I named the little woods and the kid's ski trails “Bodine's Bliss”--and later on, when the management posted professionally lettered signs designating the runs--the sign posted there was "Bodine's Bliss". That pleased him.
Tomasito, 2009
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